Weekend Reflections

One of the perks of working for a Jewish social service organization is that I wind up with extra paid days off for religious holidays that I don’t observe. This past week, we had Monday and Tuesday off for the last two days of Passover. I decided to take the opportunity afforded by a long weekend and take a little road trip up to Minnesota, mostly to meet my new nephew. My partner wasn’t able to join me for the trip, so I had a lot of hours of solo driving in the car to do some reflecting on what I was heading toward and, later, what I was coming home from.

The trip was full of excitement of varying sorts (my dad had an emergency appendectomy the evening I got into town, for one thing), but there are just a couple of things I really want to get into.

First, today (April 24, 2014) is the three-year anniversary of my grandfather’s death. He passed away Easter Sunday, ten days after his 90th birthday. Since his grave is in Rochester, MN (an under-two-hour drive from the Twin Cities) and I happened to be in town over Easter, I decided to get up early that morning and drive down to pay him a visit.

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I think a lot about my grandpa. He was a man of deep faith and quiet love, and to this day I respect him immensely. I found out five months after he died that my dad had told him that I was queer; I never knew that he knew, and it is one of my few major regrets in life that I never shared that part of myself with him. I was too afraid, and I thought I was doing what was expected of me.

I think because my grandpa never treated me any differently, I have sort of built him up in my head as being this paragon of tolerance, a rarity in my family. I’m not entirely sure that this is fair to his memory, though. I know that, ultimately, he loved me, and that was the most important thing. But I also know that he probably struggled with the idea of having a granddaughter who liked both boys and girls. About six months after he died, I adopted the name Alyx, and started walking a bit more boldly down the road of gender variant identity. As I stood by his grave (and in the car on my way back to St. Paul), I wondered how he would have handled the knowledge of my decision to start on testosterone.

I don’t have an answer. In the end, I don’t know that it matters. I have hope that the view from where he is now offers a greater sense of perspective, and that he’s able to be happy that I am happy. I hope that he is still proud of me, even though I know I am not the person he imagined his grandchild would be.

Being with my family this weekend was challenging. My mother very pointedly avoided using any names or pronouns in reference to me, though there were ample opportunities for both. My brother called me Alyx when talking to my nephew, but addressed me by my given name at dinner and apparently never gave it a second thought (he also called me “she” a lot). My dad is clearly trying, but it’s still hard.

But it was worth it for the handful of minutes I got to hold my nephew.

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I was crazy about this kid before he was born; I’m even crazier about him now. He is absolutely adorable, and I realized as I held him that there is nothing I wouldn’t do to keep this child safe. While it’s still frustrating that my brother has declared that I’m not allowed to be his child’s uncle (ommer is the title we’ve settled on for the time being), it’s something I’m willing to put up with if it means I get to be involved in the kid’s life in any way.

My strongest enduring memory of my grandpa is of the fact that every time we said goodbye, he’d give me a hug and say, quietly and earnestly, “You’re special.” As I said goodbye to my nephew on Sunday, I found myself saying the same thing to him. I hope that if I have any influence in this child’s life, it’s to teach him that he’s special and loved, no matter who he grows up to be.

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The Naked I: Insides Out

Assuming that things go roughly according to plan, but the time this posts, my partner and I will be very nearly to Minnesota, where we are headed for a long weekend to spend time with family and friends…

…and to celebrate the opening weekend of a show that I have a piece in!

So I’m going to take a break from life updates and plug the show: The Naked I: Insides Out.

The show has been created and is being produced by 20% Theatre Company Twin Cities, a wonderful theatre company that focuses specifically on work by women and transgender artists. The following is the show description from the 20% Theatre Company website:

20% Theatre Company Twin Cities is thrilled to present the world premiere of THE NAKED I: INSIDES OUT – the 3rd in a series of NAKED I plays that explore queer and trans* experiences through monologues, short scenes, and spoken word poems. This production will take place at Intermedia Arts February 13-23, 2014 and will feature the work of over 100 LGBTQ artists and allies – including contributing writers, directors, performers, designers, technicians, and more! This show will include 25 pieces chosen out of 119 submissions! 

There are an infinite number of stories to be told, and as a company focused on social change, human rights, and the voice of queer and trans* artists, 20% Theatre Company Twin Cities is determined to tell as many of these stories as we can – thus creating/producing a new NAKED I show every few years.

The first Naked I production, The Naked I: Monologues from Beyond the Binary, by Tobias K. Davis, was produced by 20% in 2009. In 2011, 20% put out a call for submissions for a second Naked I production: The Naked I: Wide Open. My partner and I both had pieces in that show, and I ended up doing the layout work for getting the script into a publishable book format. It was an incredible experience, not just for us, but for everyone involved and everyone who came to see the show (which sold out two runs, was in the Minnesota Fringe Festival, and toured around the country a bit in 2012).

Last year, when the call for submissions for the next iteration of the Naked I went out, I submitted a handful of pieces, and one of them wound up in the show. (I did the book layout for this script, as well.) The Naked I: Insides Out is every bit as beautiful and important as its predecessors. If you are in/near/able to get to the Twin Cities in the next couple of weekends, I strongly encourage you to check it out. The first couple of performances have sold out already, and I’m sure the others will as well, so if you’re interested, be sure to grab your tickets (sliding scale $5-$25) at that first link I posted. (If you can’t catch the show, all of those links attached to the titles up there will take you to Amazon, where you can pick up a copy of the script. It’s powerful stuff, and well worth the read. Also, I made it look extra pretty.)

We’re going with a bunch of wonderful friends to the sold-out performance this Saturday, and I am so excited. I had a little bit of contact with the director of my piece, but I really wanted to just let go of this rare piece of work that I’m actually pretty proud of and see what happened to it in the hands of the director and actor who are taking it on. I have every confidence that it will be amazing. I am thrilled and humbled and honored to be a part of something so important and poignant and hard and lovely. While a part of me will always be terrified waiting for the reaction of the audience to the words I’ve written, I still can’t wait to share this with the world. It’s an immense privilege to be able to tell my stories, and, as an extension, the stories of the other people like me, and it’s a privilege I hope I never take lightly. Stories have the power to change the world, and this production is full of world-changing stories.